Long after Newman’s death in 2008, the transcripts then couldn’t be found, until someone did a deep trawl in a family storage unit. As cassette tapes piled up, these two became daunted by the project and dropped it. Startling insights drop on every page of Newman’s posthumous memoir – edited down from dozens of conversations he taped from 1986 to 1991 with Stewart Stern, a friend who wrote several of his films. Joanne Woodward, Newman’s wife of 50 years, puts it more succinctly: “He was her doll.” “She was always fluttering around,” in the words of Newman himself, “trying to put on my eyelashes and straighten my lipstick when I escaped to football practice”. To become a star, he presented a certain slouching, all-American front, and then worked even more intensely to dismantle it.Īcting delighted Paul’s mother, the Hungarian immigrant Theresa Newman, née Terézie Fecková, who didn’t do much to encourage her son’s masculinity. “Exceedingly inhibited and painfully shy” – that’s according to his Cool Hand Luke director, Stuart Rosenberg, one of many who watched the gruelling battles he waged to vanquish nervous tensions on set.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |